Film critic Kim Newman introduces a new series of DVDs and Blu-ray disc releases by BFI showcasing little known British films.

The first feature documentary directed by Kim Dong-ho, former festival director of the Busan International Film Festival, this film captures the present landscape of theaters and films across Asia through the eyes of a seasoned film professional. Now retired from public service, Kim travels with his camera to document the post-pandemic cinematic ecosystem, visiting theaters and film festivals in Korea, Japan, Taiwan, Indonesia, and beyond, and gathering memories and concerns from filmmakers along the way. Prominent figures like Lee Chang-dong, Park Chan-wook, Bong Joon-ho, Kore-eda Hirokazu, Tsai Ming-Liang, and Garin Nugroho eagerly share their thoughts on the fate of theaters and the future of cinema. What begins as a survey of the current state of theaters evolves into an emotional chronicle and an opportunity to reflect on the essence and sustainability of cinema.

Lovecraftian film producer Chris Lackey discusses a number of Lovecraft adaptations for film and television.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

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Acerbic household influencer Delia Bennett decides to write ‘The Book’ on how to die well. When things don’t go according to plan, she is forced to consider that dying well is not as simple as laundry. Delia embarks on a road trip with her daughters to come to terms with her past and help her family face the future.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?